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Intimate Violence

Autor: Laura E. Tanner

Número de Páginas: 188

"Tanner deals with the central question of all narrative texts: how the reader is manipulated into empathy or distance by the text.... This study... is the sort that needs to be redone in every classroom and by every mature reader.... Tanner offers provocative and useful discussions of rape and torture... " -- Choice "This thoughtful and disturbing book raises serious questions about 'the consequences... of reading representations of rape and torture.' " -- American Literature "In this incisive exploration of twentieth-century novels, art, and ads, Laura Tanner explains the mechanisms by which reader and viewer are implicated in violence. Equally effective as a challenge to textual assault is the grace and gentleness of Tanner's own prose. Intimate Violence signals the emergence of an astute and humane critical voice." -- Wendy Steiner Through an examination of such notorious works as The White Hotel and American Psycho, Laura Tanner leads us in a disturbing exploration of the reader's complicity with fictional depictions of intimate violence.

American Psycho

Autor: Bret Easton Ellis

Número de Páginas: 416

Bret Easton Ellis’s American Psycho is one of the most controversial and talked-about novels of all time. A multi-million-copy bestseller hailed as a modern classic, it is a violent and outrageous black comedy about the darkest side of human nature. With an introduction by Irvine Welsh, author of Trainspotting. I like to dissect girls. Did you know I’m utterly insane? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, and reservations at every new restaurant in town. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare . . . Part of the Picador Collection, a series showcasing the best of modern literature.

American psycho

Autor: Bret Easton Ellis

Número de Páginas: 461

À vingt-six ans, Patrick Bateman est un golden boy de Wall Street ; le parfait yuppie des années 80. Il est aussi un serial killer... "Patrick Bateman est, hélas, un des personnages de roman les plus intéressants qu'on ait créés au cours des dix dernières années." Michel Braudeau, Le Monde. "Le premier roman depuis des années à faire résonner des thèmes aussi profonds, dostoïevskiens... [Bret Easton Ellis] nous oblige à regarder en face l'intolérable, ce que peu de romanciers ont le courage de faire." Norman Mailer. "On entend rarement dire, dans la fureur des commentaires, que ce roman est une satire, une satire hilarante, écœurante, pince-sans-rire, consternante... Ellis est avant tout un moraliste. Dans ses romans, chaque mot prononcé d'une voix laconique naît d'une indignation intense, douloureuse, éprouvée au regard de notre condition spirituelle..." The Los Angles Times.

On Fear, Horror, and Terror: Giving Utterance to the Unutterable

Autor: Pedro Querido , María Ibáñez-rodríguez

Número de Páginas: 141

This volume brings together essays that examine a vast gamut of different contemporary cultural manifestations of fear, anxiety, horror, and terror. Topics range from the feminine sublime in American novels to the monstrous double in horror fiction, (in)security at music festivals, the uncanny in graphic novels, epic heroes' Being-towards-death and authenticity, atrocity and history in Central European art, the theme of old age in absurdist literature, and iterations of the "home invasion" subgenre in post-9/11 popular culture. This diversity of insights and methodologies ensures a kaleidoscopic look at a cluster of phenomena and experiences that often manage to both be immediately and universally recognizable and defy straightforward categorization or even description. Contributors are Emily-Rose Carr, Ghada Saad Hassan, Woodrow Hood, María Ibáñez-Rodríguez, Nicole M. Jowsey, Marta Moore, Pedro Querido and Ana Romão.

The Shaken and the Stirred

Autor: Stephen Schneider , Craig N. Owens

Número de Páginas: 432

Over the past decade, the popularity of cocktails has returned with gusto. Amateur and professional mixologists alike have set about recovering not just the craft of the cocktail, but also its history, philosophy, and culture. The Shaken and the Stirred features essays written by distillers, bartenders and amateur mixologists, as well as scholars, all examining the so-called 'Cocktail Revival' and cocktail culture. Why has the cocktail returned with such force? Why has the cocktail always acted as a cultural indicator of class, race, sexuality and politics in both the real and the fictional world? Why has the cocktail revival produced a host of professional organizations, blogs, and conferences devoted to examining and reviving both the drinks and habits of these earlier cultures?

100 American Horror Films

Autor: Barry Keith Grant

Número de Páginas: 225

"[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and...

La rose d'ébène

Autor: P.d. Martin

Número de Páginas: 379

Un escort-boy. Une danseuse de revue : tous deux ont été assassinés à une semaine d’intervalle. Des crimes manifestement commis par des tueurs distincts, mais étrangement reliés par une mise en scène troublante. Car les victimes ont toutes deux été retrouvées tatouées d’un cœur sur la poitrine... Pour Sophie Anderson, profileuse au FBI, comme pour son ami, l’inspecteur Darren Carter, aucun doute possible : il existe un lien entre ces homicides. Et les tueurs ne s’arrêteront pas là. En effet, ce n’est pas seulement son expérience d’agent du FBI qui conduit Sophie à cette conclusion. Ce sont aussi des visions — des visions atroces remontant à un drame de son enfance, qui la font entrer tour à tour dans la peau du tueur et dans celle de ses proies. Un terrible don qui, cette fois-ci encore, va la guider pas à pas sur les traces de l’assassin, et qui déjà l’oriente vers un petit tatouage, étrangement familier, sur l’une des victimes : une rose d’ébène.

The History of the Book in the West: 19142000

Autor: Alexis Weedon

Número de Páginas: 583

This collection brings together published papers on key themes which book historians have identified as of particular significance in the history of twentieth-century publishing. It reprints some of the best comparative perspectives and most insightful and innovatively presented scholarship on publishing and book history from such figures as Philip Altbach, Lewis Coser, James Curran, Elizabeth Long, Laura Miller, Angus Phillips, Janice Radway, Jonathan Rose, Shafquat Towheed, Catherine Turner, Jay Satterfield, Clare Squires, Eva Hemmungs Wirtén. It is arranged into six sections which examine the internationalisation of publishing businesses, changing notions of authorship, innovation in the design and marketing of books, the specific effects of globalisation on creative property and the book in a multimedia marketplace. Twentieth-century book history attracts an audience beyond the traditional disciplines of librarianship, bibliography, history and literary studies. It will appeal to publishing educators, editors, publishers, booksellers, as well as academics with an interest in media and popular culture.

Walking Shadows

Autor: Ib Johansen

Número de Páginas: 512

Walking Shadows focuses on the American fantastic and the American grotesque, attempting in this manner for the first time to establish an overview of and a theoretical approach to two literary modes that have often been regarded as essential to an understanding of the American cultural canon. The central importance of these two literary forms has been pointed out earlier by important theorists such as Stanley Cavell, David Reynolds, and William Van O’Connor. A number of literary works, from the beginning of the nineteenth to the end of the twentieth centuries, are taken up in order to illustrate the inherent links or family resemblances between the two modes, with special reference to the way in which a Bakhtinian reading may facilitate our appreciation of their status within the canon. These excursions into the House of Fantastic and Grotesque Fiction may be of interest not only to hardcore aficionados, but also to philosophically minded readers in general, in particular perhaps to those who have paid acute attention to debates on late twentieth and early twenty-first century post-structuralism and deconstruction (where the classic positions of Foucault, Derrida, et al. still...

Women Make Horror

Autor: Alison Peirse

Número de Páginas: 270

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and...

American Consumer Culture and Its Society: From F. Scott Fitzgerald`s 1920s Modernism to Bret Easton Ellis`1980s Blank Fiction

Autor: Johannes Malkmes

Número de Páginas: 157

Die vorliegende Studie stellt eine kritische Auseinandersetzung mit der amerikanischen Konsumkultur des 20. Jahrhunderts dar. Dabei wird ein Schwerpunkt auf die historische Entwicklung von der Ständegesellschaft des späten 18. und frühen 19. Jahrhunderts bis hin zur Klassengesellschaft des 20. Jahrhunderts gelegt, da dieser epochale Wandel in bisherigen vergleichbaren literaturwissenschaftlichen Diskussionen zur Konsumkultur trotz seiner themenbezogenen Relevanz keine adäquate Berücksichtigung fand. Der Begriff der Konsumkultur als interdisziplinäres Problem wird nicht als gegeben verstanden und ausführlich definiert. Die soziokulturelle Entwicklung wird im Rahmen von F. Scott Fitzgeralds The Great Gatsby (1925) und Bret Easton Ellis American Psycho (1991) nachvollzogen, da beide Werke ihre Hauptdarsteller anhand ihrer sozialen Herkunft, ihrer sozialen Milieus und ihres Konsums als stereotypische Vertreter der jeweiligen Epoche charakterisieren und versinnbildlichen. In beiden Werken wird der jeweilige kulturelle Hintergrund – das amerikanische Jazz Age sowie die Reagan Administration mit ihrer Yuppie Kultur – äußerst kritisch abgehandelt. Eine vergleichende Analyse...

Citizen Critics

Autor: Rosa A. Eberly

Número de Páginas: 228

The condition of our public discussions about literary and cultural works has much to say about the condition of our democracy and the author argues for more public discourse--in classrooms, newspapers, magazines, etc. to reclaim a public voice on national artistic matters. In this revealing study of the links among literature, rhetoric, and democracy, Rosa A. Eberly explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. In Citizen Critics Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psychoand Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates by shifting the focus from content to aesthetics and from social values to publicity. By asserting their authority to pass judgments--thus...

Novels of the Contemporary Extreme

Autor: Alain-philippe Durand , Naomi Mandel

Número de Páginas: 192

This book investigates a new form of fiction that is currently emerging in contemporary literature across the globe. 'Novels of the contemporary extreme' - from North and South America, from Europe, and the Middle East - are set in a world both similar to and different from our own: a hyper real, often apocalyptic world progressively invaded by popular culture, permeated with technology and dominated by destruction. While their writing is commonly classified as 'hip' or 'underground' literature, authors of contemporary extreme novels have often been the center of public controversy and scandal; they, and their work, become international bestsellers. This collection of essays identifies and describes this international phenomenon, investigating the appeal of these novels' styles and themes, the reasons behind their success, and the fierce debates they provoked.

Spy

Número de Páginas: 80

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

Dictionnaire des assassins et des meurtriers

Autor: François Angelier , Stéphane Bou

Número de Páginas: 573

L’horreur de certains faits divers, les procès retentissants poussent régulièrement à l’avant-scène des figures emblématiques d’assassins et de meurtriers. Ces visages effrayants et énigmatiques occupent un temps, avant de disparaître à jamais, tout le champ de l’actualité. Certains, néanmoins, restent en mémoire car ils incarnent un mythe ou une époque, ses fantasmes et ses angoisses. Ainsi les soeurs Papin, Michel Fourniret, Charles Manson, Harris et Klebold – les auteurs de la tuerie de Columbine – ou Gavrilo Princip, dont le destin de meurtrier de l’archiduc François- Ferdinand est indissociable du récit de la Première Guerre mondiale. On pourrait en dire autant de quelques grands personnages de fiction, tels que Médée, Raskolnikov, Hannibal Lecter ou M le Maudit, qui surgissent au théâtre, dans les romans ou au cinéma : souvent inspirés par la réalité, souvent l’inspirant, ils peuvent être, au même titre que leurs réels et historiques cousins dans la violence, des objets de stupeur et d’exégèses. Explorer l’âme humaine à la trouble lumière du crime, voilà ce que propose ce Dictionnaire des assassins et des meurtriers....

Masculinity in Contemporary New York Fiction

Autor: Peter Ferry

Número de Páginas: 183

Masculinity in Contemporary New York Fiction is an interdisciplinary study that presents masculinity as a key thematic concern in contemporary New York fiction. This study argues that New York authors do not simply depict masculinity as a social and historical construction but seek to challenge the archetypal ideals of masculinity by writing counter-hegemonic narratives. Gendering canonical New York writers, namely Paul Auster, Bret Easton Ellis, and Don DeLillo, illustrates how explorations of masculinity are tied into the principal themes that have defined the American novel from its very beginning. The themes that feature in this study include the role of the novel in American society; the individual and (urban) society; the journey from innocence to awareness (of masculinity); the archetypal image of the absent and/or patriarchal father; the impact of homosocial relations on the everyday performance of masculinity; male sexuality; and the male individual and globalization. What connects these contemporary New York writers is their employment of the one of the great figures in the history of literature: the flâneur. These authors take the flâneur from the shadows of the...

The Murderers' Club

Autor: P.d. Martin

Número de Páginas: 441

Six months ago, a case nearly cost Sophie her life. So when a detective friend asks her to visit Arizona, she welcomes the break. But her vacation ends abruptly when bodies are found at a university and she gets pulled into the case. The horrifying methodology—deliberate body positioning, a distinctive red heart scrawled on each victim—indicates to Sophie that a new serial killer has claimed the area. Oddly, though, certain signature elements differ between killings. Fortunately, the FBI database has a record of many of the signatures—but each belongs to a different serial killer. As the bodies continue to appear, Sophie must hone her terrifying skills and suffer the horrors in her head in order to stop this killer.

Freud (RLE: Freud)

Autor: Reuben Fine

Número de Páginas: 287

In this book, originally published in 1963, Dr Fine sets out to describe what Freud said, and to re-evaluate his views critically in the light of the best knowledge of the time. Freud’s numerous changes of view, his constant searching for the truth wherever it might lead him, as well as his resolute adherence to certain hard-won positions once he had achieved them, are all skilfully traced. Freud’s intellectual Odyssey is divided into four periods. From 1886 to 1895 he was a neurologist investigating hysteria and other ‘nervous’ disorders. Then came his self-analysis, from 1896 to 1899, the real matrix from which psycho-analysis grew. The first psycho-analytic system of psychology was developed in the period from 1900 to 1914. The remainder of his life, from 1914 to 1939, was devoted to the elaboration of ego psychology, and heart of contemporary psycho-analysis. Dr Fine undertook, in writing this book, the formidable task of examining the whole body of Freud’s thought, to clarify what he said, and to review his ideas critically in the light of the best available existing knowledge. As he says ‘In this process of criticism I have tried to specify which aspects of Freud ...

Butterfly Politics

Autor: Catharine A. Mackinnon

Número de Páginas: 505

The miniscule motion of a butterfly’s wings can trigger a tornado half a world away, according to chaos theory. Catharine A. MacKinnon’s collected work on gender inequality—including new pieces—argues that the right seemingly minor interventions in the legal realm can have a butterfly effect that generates major social and cultural transformations.

Norman Mailer's Later Fictions

Autor: J. Whalen-bridge

Número de Páginas: 209

Norman Mailer s Later Fiction considers five works - Ancient Evenings (1983), Tough Guys Don t Dance (1984), Harlot's Ghost (1991), The Gospel According to the Son (1997), The Castle in the Forest (2007) - to examine, for the first time in a full volume, Mailer s literary maturity. Essays from esteemed scholars, Mailer's wife, andeditor, discuss Mailer s modes of cultural critique, connecting his political, theological, sexual, and aesthetic insights. This book will be essential reading for all Mailer scholars and offers provocative insights in such areas as postmodern American writing, masculinity studies, and the developing interface of literary and religious studies.

Finance Fictions

Autor: Arne De Boever

Número de Páginas: 217

Finance Fictions takes the measure of what it means to live in a world ruled by high finance by examining the tension between psychosis and realism that plays out in the contemporary finance novel. When the things traded at the center of the economy cease to be things at all, but highly abstracted speculations, how do we come to see the real? What sorts of narrative can accurately approach the actual workings of a neoliberal economy marked by accelerating cycles of market crashes, economic and political crisis, and austerity? Revisiting such twentieth-century classics of the genre as Tom Wolfe's Bonfire of the Vanities and Bret Easton Ellis’s American Psycho, De Boever argues that the twenty-first century is witnessing the birth of a new kind of realistic novel that can make sense of complex financial instruments like collateralized debt obligations, credit default swaps, and digital algorithms operating at speeds faster than what human beings or computers can record. If in 1989 Wolfe could still urge novelists to work harder to “tame the billion-footed beast of reality,” today’s economic reality confronts us with a difference that is qualitative rather than quantitative:...

Subversive Horror Cinema

Autor: Jon Towlson

Número de Páginas: 255

Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered "subversive."

Arresting Images

Autor: Steven C. Dubin

Número de Páginas: 406

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Subverting Mainstream Narratives in the Reagan Era

Autor: Ashley M. Donnelly

Número de Páginas: 169

Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.

Write in Tune: Contemporary Music in Fiction

Autor: Erich Hertz , Jeffrey Roessner

Número de Páginas: 281

Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.

Spy

Número de Páginas: 90

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

100 Greatest Cult Films

Autor: Christopher J. Olson

Número de Páginas: 351

The term “cult film” may be difficult to define, but one thing is certain: A cult film is any movie that has developed a rabid following for one reason or another. From highly influential works of pop art like Eraserhead and Faster, Pussycat! Kill! Kill! to trash masterpieces such as Miami Connection and Fateful Findings, thousands of movies have earned recognition as cult classics over the years, and new movies rise to cult status every year. So how do viewers searching for the best or most important cult films decide where to start? In 100 Greatest Cult Films, Christopher J. Olson highlights the most provocative, intriguing, entertaining, and controversial films produced over the last century. The movies included here have either earned reputations as bona fide cult classics or have in some way impacted our understanding of cult cinema, often transcending traditional notions of “good” and “bad” while featuring memorable characters, unforgettably shocking scenes, and exceptionally quotable dialogue. With detailed arguments for why these films deserve to be considered among the greatest of all time, Olson provides readers fodder for debate and a jumping-off point for...

Monstrous Nature

Autor: Robin L. Murray , Joseph K. Heumann

Número de Páginas: 266

Godzilla, a traditional natural monster and representation of cinema's subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world--monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster--anthropomorphism, human ecology, evolution, and gendered landscapes--the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film...

Bret Easton Ellis, le privilège de la subversion

Autor: Adrien Durand

Número de Páginas: 97

Depuis son entrée fracassante en littérature au début des années 1980, Bret Easton Ellis n’a cessé de mettre en scène l’Amérique des élites et ses comportements hors limites. Icône controversée, archétype du cool de la fin du XXe siècle, dandy provocateur et critique acerbe des évolutions sociétales, il incarne mieux que personne la figure de l’écrivain rock star qui a fait entrer les lettres dans la pop culture. C’est aussi dans les frontières très floues entre sa personne publique et ses protagonistes amoraux qu’il a cultivé une science du scandale et du débat polarisant. Des bancs du très secret Bennington College aux fêtes flamboyantes du New York des années 1980, du choc d’American Psycho à la création d’un double monstrueux sur Twitter, en passant par Hollywood et l’Amérique de Trump, Bret Easton Ellis, le privilège de la subversion explore l’œuvre d’un artiste qui a bousculé et réinventé les codes de la littérature. Adrien Durand est critique culturel et communiquant. Il est le fondateur des éditions du Gospel, qui édite des livres et des fanzines autour de la contre-culture. Il est par ailleurs l’auteur de deux essais, ...

Trump Fiction

Autor: Stephen Hock

Número de Páginas: 281

Trump Fiction: Essays on Donald Trump in Literature, Film, and Television examines depictions of Donald Trump and his fictional avatars in literature, film, and television, including works that took up the subject of Trump before his successful presidential campaign (in terms that often uncannily prefigure his presidency) as well as those that have appeared since he took office. Covering a range of texts and approaches, the essays in this collection analyze the place Trump has assumed in literary and popular culture. By investigating how authors including Bret Easton Ellis, Amy Waldman, Thomas Pynchon, Howard Jacobson, Mark Doten, Olivia Laing, and Salman Rushdie, along with films and television programs like The Fresh Prince of Bel-Air, Sesame Street, Sex and the City, Two Weeks Notice, Our Cartoon President, and Pose have approached and shaped the discourse surrounding Trump, the contributors collectively demonstrate the ways these cultural artifacts serve as sites through which the culture both resists and abets Trump and his rise to power.

Malas y Perversos

Autor: Linda S. Kauffman

Número de Páginas: 366

La cultura contemporánea no está saturada de pornografía sino de fantasía, y los actores, cineastas y escritores que aparecen en estas páginas se dedican a descodificar estas fantasías. Las "malas" de este libro son satíricas salvajes con un agudo sentido del absurdo. Algunos de los "perversos" exponen de forma similar sus propios cuerpos como especímenes médicos; otros utilizan la medicina como material y como metáfora. En conjunto, el trabajo de las mujeres y de los hombres de quienes se ocupa aquí la autora es demasiado literal para el arte, demasiado visceral para la pornografía. La cultura popular es una máquina productora de deseo. Hoy día, la confusión sobre el impacto que tiene la cultura popular permea el discurso público; los activistas contra la pornografía insisten en que las imágenes de sexo y violencia tienen un impacto directo sobre el público, mientras que los activistas en contra de la censura lo niegan. Este libro muestra que ambos bandos están equivocados: la cultura popular produce un impacto, pero no de la manera que imaginan unos y otros.

On the Turn

Autor: Bárbara Arizti , Silvia Martínez-falquina

Número de Páginas: 449

On the Turn: The Ethics of Fiction in Contemporary Narrative in English is an attempt to listen to the various voices that participate in the current dialogue on the relationship between fiction and ethics. The editors’ introduction investigates the current state of affairs on the return to ethics in critical and literary consideration, and it opens up the way for the variety of approaches that follows. Participants include internationally recognized scholars like Andrew Gibson, Patricia Waugh, or Native American fiction writer and poet Gordon Henry, winner of the American Book Award in 1995. All in all, contributors cover a significant geographical diversity, and their approaches also vary from general theory to particular examples, from traditional interpretations to post-deconstruction ethics. Authors analyze texts both mainstream and marginal, colonial and postcolonial; they examine the ethics of race, gender and sexuality; the ethics of self-positioning and orientation; the ethics of style; the ethics of reception; the ethics of mode and genre; the ethics of extreme situations of evil, disease and fascism. In its search for a better understanding of the global/nationalistic ...

The Changing Face of Evil in Film and Television

Número de Páginas: 266

The popular media of film and television surround us daily with images of evil - images that have often gone critically unexamined. In the belief that people in ever-increasing numbers are turning to the media for their understanding of evil, this lively and provocative collection of essays addresses the changing representation of evil in a broad spectrum of films and television programmes. Written in refreshingly accessible and de-jargonised prose, the essays bring to bear a variety of philosophical and critical perspectives on works ranging from the cinema of famed director Alfred Hitchcock and the preternatural horror films Halloween and Friday the 13th to the understated documentary Human Remains and the television coverage of the immediate post-9/11 period. The Changing Face of Evil in Film and Television is for anyone interested in the moving-image representation of that pervasive yet highly misunderstood thing we call evil.

The Hamilton Phenomenon

Autor: Chloe Northrop

Número de Páginas: 252

'The Hamilton Phenomenon' brings together a diverse group of scholars including university professors and librarians, educators at community colleges, Ph.D. candidates and independent scholars, in an exploration of the celebrated Broadway hit. When Lin-Manuel Miranda’s musical sensation erupted onto Broadway in 2015, scholars were underprepared for the impact the theatrical experience would have. Miranda’s use of rap, hip-hop, jazz, and Broadway show tunes provides the basis for this whirlwind showcase of America’s past through a reinterpretation of eighteenth-century history. Bound together by their shared interest in 'Hamilton: an American Musical', the authors in this volume diverge from a common touchstone to uncover the unique moment presented by this phenomenon. The two parts of this book feature different emerging themes, ranging from the meaning of the musical on stage, to how the musical is impacting pedagogy and teaching in the 21st century. The first part places Hamilton in the history of theatrical performances of the American Revolution, compares it with other musicals, and fleshes out the significance of postcolonial studies within theatrical performances....

Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies

Autor: Seçmen, Emre Ahmet

Número de Páginas: 283

The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.

Dark Dreams 2.0

Autor: Charles Derry

Número de Páginas: 449

Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.

On the Borders of Convention

Autor: Aleksandra Nikčević Batrićević

Número de Páginas: 257

The research presented in this book is authored by scholars coming from as distant regions as South Africa, the United States of America, Great Britain, France, Italy, Belarus, the Balkans. Needless to say that one of the good things about this international cooperation is that owing to their different socio-cultural backgrounds, these scholars have contributed to producing an extremely varied picture of ways of approaching the challenge of a changing world. The papers on literature and culture collected in this book contribute a further element of rigour into the discussion of numerous and always varying and changing borders of convention in a literary text, literary genre, and literary theory, as well as in general culture and everyday paths of life. Starting with oral cultures, over the classic literary masters, modernist and postmodernist textual and theoretical phenomena, the twentieth century flouting of numerous social and gender convention, through painting, film, dance, contemporary music, as well as graffiti, We have sought to stress that what is most noticeable from the evidence of their studies is that scholars today concern these issues through a dynamic global...

Scandals and Abstraction

Autor: Leigh Claire La Berge

Número de Páginas: 241

The Long 1980s could be summed up handily in the annals of U.S. cultural history with the enduring markers of Ronald Reagan's presidency, Oliver Stone's film Wall Street, and Dire Straits's hit single "Money for Nothing." Despite their vast differences, each serves to underscore the confidence, jingoism, and optimism that powered the U.S. economy throughout the decade. Mining a wide range of literature, film, and financial print journalism, Scandals and Abstraction chronicles how American society's increasing concern with finance found expression in a large array of cultural materials that ultimately became synonymous with postmodernism. The ever-present credit cards, monetary transactions, and ATMs in Don De Lillo's White Noise open this study as they serve as touchstones for its protagonist's sense of white masculinity and ground the novel's narrative form. Tom Wolfe's The Bonfire of the Vanities and Oliver Stone's Wall Street animate a subsequent chapter, as each is considered in light of the 1987 stock market crash and held up as a harbinger of a radical new realism that claimed a narrative monopoly on representing an emergent financial era. These works give way to the...

This Music Leaves Stains

Autor: James Greene Jr.

Número de Páginas: 205

Few bands in the past three decades have proven as affecting or exciting as the Misfits, the ferocious horror punk outfit that lurked in the shadows of suburban New Jersey and released a handful of pivotal underground recordings during their brief, tumultuous time together. Led by Glenn Danzig, a singer possessed of vision and blessed with an incredible baritone, the Misfits pioneered a death rock sound that would reverberate through the various musical subgenres that sprung up in their wake. This Music Leaves Stains now presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century. Music junkies of any stripe will surely find themselves engrossed in this saga that finally pieces together the full story of the greatest horror punk band that ever existed, though...

Perspectives on Evil

Número de Páginas: 298

The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.