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Acting Action

Autor: Hugh O'gorman

Número de Páginas: 291

“What is it that we’re doing, when we’re acting well?” This is the question famously posed by Earle Gister, the legendary head of the acting department at Yale School of Drama from 1979 to 1999. In Acting Action, actor, director, and teaching artist Hugh O’Gorman invites readers to explore the question in detail. Focusing on playing action—one of the essential components of acting passed on to renowned acting teachers Earle Gister and Lloyd Richards by Paul Mann—Acting Action is divided into two parts: context and practice. The first section provides a thorough examination of the theory behind the core elements of playing action. The second section presents a step-by-step rehearsal guide for actors to integrate playing action into their preparation process. Acting Action offers a foundation for how to get started and build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of playing action, addressing a void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of acting.

The Actor's Survival Kit

Autor: Miriam Newhouse , Peter Messaline

Número de Páginas: 229

The third edition of The Actor's Survival Kit gives the actor fresh research and today's experience, new lists of country-wide contacts, and input from current success stories.

The Invention of the Visible

Autor: Patrick Vauday

Número de Páginas: 145

We live in a mediatized society, a society one could call a society of images. Working at the intersection of aesthetics and politics, Patrick Vauday challenges the dominant assumptions of this society and its disposition towards images. This challenge does not advocate repudiatingimages altogether, but rather entreats us to see them in a different light. This new way of thinking of images affords a glimpse into what images do and produce, rather than viewing them as copies or mere representations. Images are dynamic agents that are active in our world rather than simply empty reflections of it. Rethinking the concept of the image in this fashion opens up new ways of interpreting and engaging with works of art. This reconsideration of the role of images in society is the starting point for a new politics that considers the multiple and complex efficacies by which images act, circulate and are created.

Making Work Visible

Autor: Margaret H. Szymanski , Jack Whalen

Número de Páginas: 405

In the 1970s, Xerox pioneered the involvement of social science researchers in technology design and in developing better ways of working. The Xerox legacy is a hybrid methodology that combines an ethnographic interest in direct observation in settings of interest with an ethnomethodological concern to make the study of interactional work an empirical, investigatory matter. This edited volume is an overview of Xerox's social science tradition. It uses detailed case studies showing how the client engagement was conducted over time and how the findings were consequential for business impact. Case studies in retail, production, office and home settings cover four topics: practices around documents, the customer front, learning and knowledge-sharing, and competency transfer. The impetus for this book was a 2003 Xerox initiative to transfer knowledge about conducting ethnographically grounded work practice studies to its consultants so that they may generate the kinds of knowledge generated by the researchers themselves.

Owning a Body + Moving a Body = Me?

Autor: Lorenzo Pia , Francesca Garbarini , Andreas Kalckert , Hong Yu Wong

Número de Páginas: 124

The conscious experience of the bodily self is a cornerstone of human nature, which allows us to delineate the boundaries between the surrounding environment and us. A plethora of clinical and experimental investigations has clearly demonstrated that bodily self-consciousness draws on different neuro-cognitive mechanisms with distinct anatomo-functional underpinnings. Among these, the sense of body ownership (i.e., my body belongs to me), and the sense of agency (i.e., I am the author of my actions) have attracted increasing interest in recent years. The former seems to be strongly rooted in afferent sensory signals, whereas the latter appears to be rooted in efferent motor signals and/or the monitoring of their sensory consequences. Despite the consensus that the interplay between body ownership and the sense of agency contribute to the omnipresent conscious experience of the bodily self, the character and the form of this relationship remain unclear. Though research into the mechanisms underlying ownership (e.g., bodily illusions) or on agency (e.g., intentional binding) is blooming, very few studies have aimed to investigate both these processes at the same time. Therefore,...

Aesthetics of the Dramatic Art

Autor: Otakar Zich

Número de Páginas: 476

Otakar Zich’s Aesthetics of the Dramatic Art. Theoretical Dramaturgy (1931) laid the foundation of systematic modern theatre theory and helped establish theatre studies as an academic discipline. With an introduction, a contextual afterword and a glossary, this volume is the first complete translation into any language. Alongside Theatre Theory Reader. Prague School Writings (2016), it provides a thorough insight into Czech theatre thinking and a theory of theatre as a time-based art, perceived in the moment by an audience. Covering spoken drama and opera, Zich uniquely analyses the individual creative works that participate in making theatre.

Stage Lighting Design

Autor: Neil Fraser

Número de Páginas: 237

In Stage Lighting Design Neil Fraser, who teaches the subject at RADA, provides a comprehensive guide to designing effective and appropriate stage lighting. Assuming no previous knowledge, the book guides the reader through the various aspects involved in this craft. The text is accompanied by practical exercises to encourage the reader to explore and try out the concepts discussed. These exercises are designed to allow the reader to discover the reality of what works at a technical level and at an artistic level, and can be used within a limited budget. The emphasis is on the practical, and each exercise is followed by an analysis of expected results, lessons learnt and conclusions drawn.

Voice and Identity

Autor: Rockford Sansom

Número de Páginas: 242

Voice and Identity draws from the knowledge and expertise of leading figures to explore the evolving nature of voice training in the performing arts. The authors in this international collection look through both practical and theoretical lenses as they connect voice studies to equity, diversity, inclusion, and belonging, and to gender and gender diversity. The book offers chapters that focus on practical tools and tips for voice teachers, and the text also includes chapters that give rich social, cultural, and theoretical discussions that are both academic and accessible, with a particular focus on gender diverse, gender non-binary, transgender, and inclusionary voice research. Offering interdisciplinary insights from voice practitioners and scholars from the disciplines of actor training, singing, public speaking, voice science, communication, philosophy, women’s studies, Indigenous studies, gender studies, and sociology, this book will be a key resource for practitioners and researchers engaged in these fields. The chapters in this book were originally published in the Voice and Speech Review journal.

Making Believe

Autor: Lisa Bode

Número de Páginas: 256

In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in ...

Visible

Autor: Sarah Woods

Número de Páginas: 104

"Visible boldly challenges how we guard our wealth and our 'right' to happiness. Striving so hard to live a good life and acquire the trappings of success, do we sometimes lose sight of the wider world around us? In their mock Georgian house on an exclusive estate, Rob and Hattie are preparing lunch for friends and neighbours - but all is not going to plan. As the reality of exclusion explodes into their cosy world of comfort, the placid facade of a sedate suburban Sunday is dramatically ripped aside. When life is as sweet as treacle, sugar and honey, why can't Sunday lunch be perfect?"--BOOK JACKET.

Play Directing

Autor: Francis Hodge , Michael Mclain

Número de Páginas: 407

Play Directing describes the various roles a director plays, from selection and analysis of the play, to working with actors and designers to bring the production to life. The authors emphasize that the role of the director as an artist-leader collaborating with actors and designers who look to the director for partnership in achieving their fullest, most creative expressions. The text emphasizes how the study of directing provides an intensive look at the structure of plays and acting, and of the process of design of scenery, costume, lighting, and sound that together make a produced play.

Making Thought Visible

Autor: Curt Hersey , Julie D. O’reilly

Número de Páginas: 215

For viewers who experience autism, bipolar disorder, depression, obsessive-compulsive disorder or other cognitive variations, television storytelling offers opportunities to empathize with characters portraying neurodiversity. In this first collection of its kind, contributors analyze television's increasing attempts to make thought--how individuals process the world around them--visible. Examined themes include the muting of neurodiverse voices, madness as power, diagnosis vs. lived experience, dual diagnosis, reactions to "atypical" behaviors, the cultivation of attitudes towards autistic individuals, and translanguaging across global series. Programs include Young Sheldon, The Good Doctor, Legion, the Star Trek universe, Euphoria, True Detective, Girls, Bungo Stray Dogs, and Love on the Spectrum. Varied theoretical and methodological approaches and attention to the quality and verisimilitude of neurodiverse representations result in an appropriately complex analysis.

El umbral del mundo visible

Autor: Kaja Silverman

Número de Páginas: 242

El umbral del mundo visible constituye un examen psicoanalítico del campo de visión, en el que la principal preocupación de Silverman es establecer lo que significa ver. Así, pone de manifiesto que nuestra mirada se ve siempre influida por nuestros deseos y nuestras ansiedades, y mediada de un modo completo por las representaciones que nos rodean. Estas restricciones psíquicas y sociales nos llevan a cometer actos involuntarios de violencia visual contra otros. Silverman explora las circunstancias conscientes e inconscientes bajo las que tales actos de violencia podrían ser reparados y la mirada inducida a ver y afirmar lo que es abyecto y ajeno a ella misma.

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