O punho da Inquisição se fecha sobre o Condado de Dorset. No Canal da Mancha, o Corvo Negro e o Seapearl se chocam em um engodo que pode levar à tragédia, enquanto Arabella luta pela vida na Montanha das Bruxas, profetizando em seu delírio o manto de fogo e sombras que cairá sobre a terra.
Este libro recoge una selección de las ponencias presentadas en las II Jornadas Iberoamericanas de Jóvenes Investigadores en Patrimonio Industrial se celebraron en 2020, participantes fueron sometidos a un proceso de revisión científica.
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Alison Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose...