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La fe explicada

Autor: Leo. J. Trese

Número de Páginas: 504

¿Es el hombre un mero accidente biológico? ¿Es el género humano una simple etapa en un proceso evolutivo ciego y sin sentido? ¿Tiene la vida algún plan, algún propósito? ¿De dónde vengo y por qué estoy aquí? ¿Quién nos ha creado? ¿Quién es Dios? Estas y otras muchas preguntas -todas las que se hace el hombre de hoy- se responden en esta magnífica obra de Leo J. Trese. Seguramente, debe sus muchas ediciones al hecho de ser un libro accesible y motivador sobre las verdades de la fe católica, que manan aquí claras y firmes, atractivas y al alcance de todos.

Lifting The Veil

Autor: Piers Dudgeon

Número de Páginas: 225

The real John Tavener revealed...' GRAMOPHONEWith generous access to Sir John himself, Piers Dudgeon lifts the veil on the secrets of how Tavener produced the most evocative and inspirational music of our times - pieces such as Song for Athene (played a

Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations

Autor: Maria Anna Harley

Número de Páginas: 483

This dissertation presents the history of space in the musical thought of the 20th­ century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.

Catalogue of (printed) music. Music. Accessions, pt.[1]-94

Autor: British Museum Dept. Of Pr. Books

Número de Páginas: 430

Revista de la Universidad

Autor: Universidad Nacional Autónoma De Honduras

Número de Páginas: 120

Les pouvoirs de la musique

Número de Páginas: 324

Montre l'usage qui a été fait de la musique tout au long de l'histoire religieuse, occidentale ou orientale.

The Catalogue of Printed Music in the British Library to 1980

Autor: British Library. Department Of Printed Books , British Library , Robert Balchin

Número de Páginas: 440

Repertítulos : Repertorio de Títulos de Música Clásica

Autor: François Verschaeve

Número de Páginas: 552

British Music Now

Autor: Lewis Foreman

Número de Páginas: 256

"The last decade and a half has seen the emergence of more composers of real and demonstrable talent in Britain than almost any previous period. Their work is reaching an increasingly wide and keen audience in concert hall and opera house, through national and local radio, festivals amateur and professional, and even children's performing groups. In this timely book a team of experts provides a much-needed survey and assessment of these new composers--all of them under fifty at the time of writing. The sheer abundance and variety of music composed in Britain in the 1960s and '70s is astonishing. The operas and theatre pieces of Nicholas Maw, Gordon Crosse and Alexander Goehr; the orchestral and chamber music of Thea Musgrave, Hugh Wood and Alun Hoddinott; the experimentalism, in a number of different forms, of Peter Maxwell Davies, Harrison Birtwistle, Roger Smalley and John Tavener; the more traditional idiom of John McCabe, William Mathias and Anthony Milner; Richard Rodney Bennett's film scores and David Bedford's rapprochement with pop forms; the electronic wizardry of Tristram Cary--here is the work of a generation of composers, more than one of international stature, who...

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