The Oxford Handbook of Critical Improvisation Studies gathers contributions from more than sixty authors pioneering new scholarly approaches to improvisation in the arts, humanities, social, and natural sciences.
This book argues that Islam has been securitized in US foreign policy, especially during the W. Bush administration when it was increasingly portrayed as the ultimate “other.” This securitization was realized through the association of Islam with unique security threats in speeches of foreign policy and national security. By analyzing the four recent US presidents’ discourses on Islam, this work sheds light on how they viewed Islam and addresses the following questions: How do we talk about Islam, its place and relationship within the context of US security? How does the language we use to describe Islam influence the way we imagine it? How is Islam constructed as a security issue?
Diplomatic interference carries considerable potential for disruption. In this context, diplomats have been accused of insulting behaviour, the funding of political parties, incitement to terrorism and even attempts to topple the host government. Reactions can be harsh: expulsions are common and, occasionally, diplomatic relations are severed altogether. But an evaluation under international law faces challenges. Often enough, charges of interference are made when legitimate interests are involved – for instance, when diplomats criticise the human rights record of their hosts. In such cases, diplomats may be able to invoke grounds which are recognised under international law. On the basis of more than 300 cases of alleged diplomatic interference and the practice of about 100 States and territories, Diplomatic Interference and the Law provides an examination of the main areas in which charges of meddling have arisen – such as lobbying activities, contacts with the opposition, propaganda, the use of threats and insults and the granting of asylum. It analyses situations in which the sovereignty of the receiving State meets competing interests and offers solutions which avoid a...
German composer Christopher Dell's ingenious appropriation of the concert as artistic form This publication documents Berlin-based composer and curator Christopher Dell's The Working Concert, a series of performative installations that aim to reimagine the concert--including publication, public events, marketing, public signage and audience reception--as exhibition. The book presents scores, documentary material, photographs and concept texts.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the...
A revised, expanded, and up-to-date volume that traces the history of jazz and the genre's development over the years. Spotlights key people, locations, and moments that have defined the history of jazz.
As "Savior of the Union" and the "Great Emancipator," Abraham Lincoln has been lauded for his courage, wisdom, and moral fiber. Yet Frederick Douglass's assertion that Lincoln was the "white man's president" has been used by some detractors as proof of his fundamentally racist character. Viewed objectively, Lincoln was a white man's president by virtue of his own whiteness and that of the culture that produced him. Until now, however, historians have rarely explored just what this means for our understanding of the man and his actions. Writing at the vanguard of "whiteness studies," Brian Dirck considers Lincoln as a typical American white man of his time who bore the multiple assumptions, prejudices, and limitations of his own racial identity. He shows us a Lincoln less willing or able to transcend those limitations than his more heroic persona might suggest but also contends that Lincoln's understanding and approach to racial bigotry was more enlightened than those of most of his white contemporaries. Blazing a new trail in Lincoln studies, Dirck reveals that Lincoln was well aware of and sympathetic to white fears, especially that of descending into "white trash," a notion that ...
A history of the activities of the Committee on the Conduct of the War (COCOW), established by the American Congress shortly before the beginning of the Civil War. The study focuses on the nature of its power and influence on military policy in order to show its true impact.
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