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Sonó un violín en París

Autor: María Reig

Número de Páginas: 533

Una magnífica novela histórica que nos llevará de viaje por las grandes ciudades europeas de finales del siglo XIX. El escritor don Guillermo Bogarín sonríe satisfecho al pensar en el selecto grupo que ha logrado reunir: ha merecido la pena el trabajo dedicado durante meses a preparar ese tour por Europa. Apenas quedan dos días para el 25 de septiembre de ese año 1893 para que esos nueve viajeros partan de la estación de Lyon en París para recorrer, durante casi dos meses, parte de la Italia recién unificada, algunos territorios de Austria-Hungría y ciertos lugares de las nuevas fronteras del Imperio alemán. Son el arquitecto Jacobo Figueroa y su amigo, el ambicioso empresario Juan Álvarez-Caballero; el intransigente pintor impresionista Ferdinand Mercier, su buena amiga Jeanne Leroy, empresaria teatral de éxito tras la muerte de su marido, a quien acompaña su sobrino, el inconstante Henri Collet; la condesa rusa Karimova; la señora Dupont, propietaria junto a su marido de una editorial de música y promotora de jóvenes talentos de este arte, y Clara Balaguer, virtuosa violinista y una de sus representadas. Don Guillermo conoce bien los motivos que lo llevan a...

Italian Violin Music of the Seventeenth Century

Autor: Willi Apel

Número de Páginas: 332

"The emergence of pieces designated for specific instruments marked a significant change in musical practice. The celebrated musicologist Willi Apel discusses virtually all the surviving printed works from the seventeenth century that are intended for the violin. He describes the music of some sixty Italian composers of this period, detailing the individual innovative aspects of the pieces, their form, and issues of performance practice." --

Diccionario de mùsica, o sea explicación y definición de todas las palabras técnicas del Arte...

Autor: Antonio Fargas

Número de Páginas: 248

Giacomo Puccini

Autor: Roger Flury

Número de Páginas: 937

Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not...

Diccionario de música, ó sea, Esplicación [sic] y definición

Autor: Antonio Fargas Y Soler

Número de Páginas: 252

THE INDIAN LISTENER

Autor: All India Radio (air),new Delhi

Número de Páginas: 104

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-12-1946 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 104 VOLUME NUMBER: Vol. XI, No. 24 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 32-95 ARTICLE: Shaping the Young AUTHOR: A. Gopala Menon KEYWORDS: School life and children,...

El violín del diablo

Autor: Joseph Gelinek

Número de Páginas: 360

Existen instrumentos malditos capaces de atraer las desgracias más funestas a quienes los tocan. Aquella música podía matar. Y ella lo sabía... La concertista de violín Ane Larrazábal, estrella rutilante de la música clásica, aparece estrangulada en el Auditorio Nacional de Madrid después de haber interpretado el Capriccio no 24 de Paganini, probablemente la obra más difícil jamás compuesta para violín. El asesino ha dejado escrita en su pecho, con sangre de la propia víctima, la palabra Iblis, que significa «diablo» en árabe. Su instrumento, un violín Stradivarius que tiene tallada en la voluta la cabeza un demonio, ha desaparecido misteriosamente. Raúl Perdomo, uno de los investigadores más hábiles de la policía, deberá descubrir la identidad del asesino y la escalofriante relación entre el crimen y la macabra muerte de Paganini hace casi dos siglos. Después del éxito internacional de su primera novela, La Décima Sinfonía, publicada en más de quince países, Joseph Gelinek vuelve a utilizar sus amplios conocimientos musicales al servicio de un nuevo thriller trepidante y adictivo. Reseña: «Una novela diabólicamente absorbente.» Diario de Mallorca

The International Cyclopedia of Music and Musicians

Autor: Oscar Thompson

Número de Páginas: 2506

Catalog of Copyright Entries

Autor: Library Of Congress. Copyright Office

Número de Páginas: 1276

A Treatise on the Structure and Preservation of the Violin and All Other Bow-instruments. ... Translated from the Original, ... by John Bishop

Autor: Jacob August Otto

Número de Páginas: 118

Mozart Studies 2

Autor: Cliff Eisen

Número de Páginas: 236

Published to complement Mozart Studies (published in 1991), Mozart Studies 2 offers a forum for the most important trends in recent Mozart scholarship, including substantial contributions in gender and genre studies, close readings of individual works (among them the "Prague" symphony and Le nozze di Figaro), textual and contextual research, and new directions in analysis, both for the operas and instrumental music. At the same time, it also aims to suggest directions for future research. In addition to Cliff Eisen, the contributors include leading Mozart scholars, among them Mary Hunter, John Platoff, Wolf-Dieter Seiffert, and Elaine Sisman.

Musical Courier

Número de Páginas: 1314

Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.

A Treatise on the Structure and Preservation of the Violin and All Other Bow-Instruments

Autor: Jacob Augustus Otto

Número de Páginas: 153

Diccionario de artes y manufacturas de agricultura, de minas, etc

Autor: Charles Pierre Lefebvre De Laboulaye

Número de Páginas: 872

Cyclopedia of Music and Musicians: Naaman-Zwillingsbrüder

Autor: John Denison Champlin , William Foster Apthorp

Número de Páginas: 720

Naaman-Zwillingsbrüder

Autor: John Denison Champlin , William Foster Apthorp

Número de Páginas: 648

Music and the Making of Modern Japan

Autor: Margaret Mehl

Número de Páginas: 244

Japan was the first non-Western nation to compete with the Western powers at their own game. The country’s rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored. How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan’s traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country’s post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan...

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